Happy to jump on the train and have submitted a FB request. Thanks for your efforts!
Regarding the ML system in the TX, does the output (volume and quality) significantly drop when the sound is faded towards the rear?
This will be a more in-depth and technical response, as I see this concern comes up frequently, even in TX groups. Before addressing the specifics, it's important to understand the reasoning behind why engineers make these design choices. These are my own opinions, coming from a self-proclaimed hobbyist audiophile.
I can only speak to the potential improvements in the TX, which may eventually be implemented in the GX, but understand the tuning is nowhere near the same (every ML component part number is different for example). Previously, fading the audio to the rear caused a near-total loss of bass response, even in the TX. This issue has been mitigated
to an extent. The speaker placement was chosen based on a clear prioritization: first-row, second-row, and then third-row occupants, in that order. As with all system designs, this involves trade-offs and compromises are made based on the prioritized goals.
Optimizing for an exceptional third-row soundstage would require placing midrange drivers further toward the rear. However, this introduces a significant drawback—midrange frequencies are highly localizable, and their placement at the back could create a comb filtering effect, where sound waves from different locations arrive at the listener’s ears at slightly different times, causing phase interference and degradation in audio quality. The greater the physical separation between speakers, the more pronounced this effect becomes.
Low frequencies behave differently due to cabin gain and standing waves, which reinforce their omnidirectional nature. For instance, a 50 Hz wavelength measures approximately 6.86 meters (22.5 feet), longer than the vehicle itself, creating a sound field that is evenly distributed throughout the cabin. I can say that bass performance when faded towards the rear has improved. However, the original prioritization of the first and second rows still applies, so the third-row experience will never match the front-row fidelity.
Not to bash on aftermarket systems, but just upgrading (or adding) rear woofers, for example, without careful tuning introduces phase cancellation and spectral imbalances in many cases. This is why I would caution against prioritizing rear-fill enhancements at the expense of overall system coherence - "be careful what you wish for" logic. Mark Levinson’s decision to prioritize the front row is apparent and makes sense given these technical constraints.
Regarding the GX specifically, the subwoofer placement in the tailgate is not ideal. Many would likely prefer it to have been housed in the rear quarter panel rather than the tire inflator. However, my guess is that this decision was likely made before Mark Levinson's involvement in the system's final tuning, and once again, there were priorities and design compromises made.
Hope this helps!